After World War II ended our society compelled us to
reconsider our values and attitudes. As a result, the lifestyle that we used to
have before the war took a dramatic turn when the war was over.
A lot of changes came with this twist in the story like
political changes or the family values, but now let´s just focus on one
question: What was it like being a teenager in 1950?
Being a teenager in the 50`s
Before the War teenage boys used to go to the military or they had to look for
a job to support their families. Teenage girls used to think about taking care
of the household and the marriage.
But this changed in the 50´s. Teenagers became
more rebellious and independent.

The war had just ended but the world didn´t felt safe, so they had to create
a safe, secure, calm and orderly community in which a lot of post-war
Americans could start a family. So in that moment the people had a lot to do,
teenagers were´nt the most important thing, so in one way teens were
marginalized by the adults, who didn't want to be bothered with the very
different values of teenagers. Those felt left out, ignored, disenfranchised.
What did they do?
They started to heir music, but it was music that talked
about them, like songs about high school, about relationships, about cars and
parties. Those were sang by other teens.
They wanted some recognition of their generation, and when
it came they took advantage of it. They started to build their new generation,
they created their own image and style.
So we have seen that these generation had a lot of special
characteristics. Let´s see more about them.
50´s Slang
We can think that maybe Holdan is so desperate to talk with somebody that
he want to attract attention and he create his own words, his own language, but
no. Holdan lived in the 50´s and at that time they had a different slang. Maybe
it is hard to us to try to understand why did people used to talk with words
like "phony", it sounds like "phone"; but every era, every
generation have their own slang, for example, today we use words (If we can
call them words) like "yolo" or "lol". If a teenager from
the 50´s hear that he would probably think that we are speaking another
language. But these are not the 50´s, this is the future and we were tired of
writing an extra letter in the word "babe" when we can just write
"bae", it is more useful :) :) :)
Slang is a essential for all teens, no matter where they live or what era we
are talking about. Words come in and out all the time. But one of the
main characteristics of the 50s slang was that they added "ville" to
many of their words, for example coolsville or deadsville. These is an example
of what people can do with the words, and what teenagers did in the 50s with
the english.
Here we have a list of some slangs that were used in the 50s by teens:
- Going Ape - to explode or be really mad
- Are you writing a book? - You're asking too many
questions
- Bad news - Depressing person
- Blast - A good time
- Boss - Great
- Square - A regular, normal person
- Nerd - Bill Gates without the money
- No sweat - No problem
- Passion Pit - Drive-in movie theater
- What's buzzin, cuzzin - What's new?
- Wail - Go fast
- Tank - A large sedan - usually driven by parents or older
people
- Threads - Clothes
- Unreal - unbelievable
- Wazoo - Your rear end
- Cookin' - Doing it well
- Spaz - Someone who is uncoordinated
- Royal shaft - Badly or unfairly treated
- Righto - Okay
- Tear ass - Drive very fast
- Radioactive - Very popular
- Pound - Beat up
- Cloud 9 - Really happy
- Cat - A hip person
- Bread - Money
- Cool it - Relax, settle down
- Bash - Great party
- Bobbed - Shortened (as in haircut)
- Greaser - A guy with tons of grease in his hair. Later this
was used to describe an entire group of people (think Fonzie)
- Cranked - Excited
- Crazy - "Like crazy,man". Implies an especially
good thing
- Dig - To understand and approve
- Fat City - Happy
- Flick - A movie
- Hang - As in "hang out" which means not doing much
- Heat - The Police
- Hip - Someone who is cool
- Later, gator - Goodbye
- Like crazy - Really good
- Make out - A kissing session
50´s fashion
Teenagers were
ignored by department stores and were expected to dress like their parents. They
had the money to buy it because since teens no longer had to work in order to
help their parents; they began to take part-time jobs or they would receive a
monthly allowance in order to spend on non-essential things such as clothes,
but the trends in that moment were ugly for teens, they wanted something
different, something revolutionary.
Teens were
strongly influenced by film, television, magazines and persuaded to use their
money, and the society convinced them that the clothes were something that they
needed.
These
single young people with cash from paid work soon had their own fashions, own
music, own cafes, own milk bars and by the end of the decade even their own
transport in the form of fuelled scooters. Teenagers suddenly dominated style
in clothes, haircuts and even travel abroad. A generation gap began to emerge.
The
important thing is that people were beginning to feel a little more freedom
when it came to their fashion choices. No longer did people feel like they had
to conform to a certain look for certain situations.
American
influence on European teenagers was huge. Rock and Roll idols including Elvis
Presley, Bill Hayley, Jerry Lee Lewis and film stars James Dean and Marlon
Brando set fashions almost unwittingly. The main looks for teenagers were
greasers and preppies.
Pat Boone
and Frankie Avalon inspired the conservative preppy look for boys, with sweater
vests and suede shoes (also made famous by Elvis Presley). Lucille Ball, Annette
Funicello and Connie Francis inspired high-waisted, full skirts and backwards
cardigans, while Marilyn Monroe pushed cultural boundaries with her sexy
versions of conservative classics.
Greasers
followed the standard black leather and denim jeans look
set by Marlon Brando in "The Wild One" in 1953 and later emulated in
the 1978 film called "Grease". They raced about town on motorbikes
and were consider scandalous.
Typical
Teen Girl Attire
Teen girls
in the 1950s often wore petticoats under gathered skirts with cardigan
sweaters. It was common to wear cardigans backwards so the buttons were not
visible from the front. They wore bobby socks and saddle shoes or, for the more
grownup teens, stockings and modest low heels. For casual situations, teen
girls wore pedal pushers or dungarees rolled up to mid-calf with ballet flats,
according to Head Over Heels History. Teen girls wore full dirndl or circular
skirts with large appliqués on their clothing. Neat pleated skirts were also
popular. The pleated skirts were made from a then new fabric called
Terylene (polyester) which helped maintain razor sharp sunray pleating.
The skirts
were supported by bouffant paper nylon or net petticoats. On top, teens wore
scoop neck blouses, back to front cardigans, tight polo necks or three quarter
sleeve white fitting shirts often with a scarf knotted cowboy fashion at the
side neck. These teen clothing fashions that originated in America, filtered to
Britain in watered down fashion.


Most teen
boys in the 1950s dressed in preppy styles with cardigan sweaters, button-down
shirts and thin ties. The pullover sweater vest was a popular item. The rebels,
inspired by their film idols, wore dungarees, T-shirts and black leather
jackets. The “Teddy Boy” trend (Represented by the band the Stray Cats)
involved single-breasted jackets worn long with velvet trim. Teddy Boys often
wore their hair greased and swept back with long side burns.
Teddy Boys “appeared”
in London’s East End in 1952. Just four years later the look had crept into
every passage and street corner.
First, a
Teddy Boy starts with carefully kept hair (called a “DA”) and long sideburns.
He kept a comb on him at all times in case anything fell out of place.
Next, he
dons a white poplin shirt (with Boston collar), and a shoestring tie. In
between the long-sleeved single-breasted drape jacket and shirt was a
flamboyant satin or Lurex waistcoat.
His pants
were typically narrow cut, they were called “drainpipes”. The Teddy Boy
finished off his outfit with a pair of suede shoes with thick soles (called
“brothel creepers”) that covered brightly colored socks.
https://www.youtube.com/watch?v=QgZ650X6Ln8
Music
Today we
hear our music on our phones, we have Spotify. In the 50´s it was a little different,
firstly because they didn´t have all the technology that we have today, and
also because of the type of music. Today we hear pop or “reggeton”, but in that
moment the music meant a lot of things, the music showed how was the society
and all the “problems” that they had.
The 1950's
were a time of changes and the music of the decade both reflected the cultural
changes that were happening while still holding on to the social norms of the past.
After the disturbing effects of World War II, the US was about to embark on a
musical journey that would change the face of music for decades to come. Racial
tensions were being strained with the beginning of the civil rights movement
and music reflected many of those tensions.
Rhythm & Blues (R&B) and
Rock 'n' Roll popularized "black" music and many African-American
musicians rose to prominence and enjoyed success, but while some were able to
collect the benefits of their work, many others were forgotten or denied access
to audiences through segregation. A lot of people believe that during the 50s many
of the white artists stole music from African-Americans and capitalized on it
for their own benefit in a way that the original artists could not. A perfect
example of this happening is when Pat Boone was made to cover Little Richard's
song "Tutti Frutti" and Boone's version topped higher on the charts,
while considered by many to be the inferior version of the song.
Others believe
that the popularization of R&B and Rock 'n' Roll only helped to bridge the
gap between blacks and whites and further the civil rights movement. While
those genres paved the way for future music, traditional pop and country music
clung to the past with old standards remaining popular and a multitude of
covers topping the charts. Either way, this decade was a time of innovation
that helped to influence everything that we listen to on the radio today.
Rock 'N' Roll
The 1950's saw the emergence and rise of Rock 'n' Roll and
Rockabilly. Carl Perkins was one of the pioneers in the creation of rock music
and his style is often referred to as "Rockabilly" because it sounds
like a combination of country and R&B music with rock influences. Some artists
that were popular in the rockabilly genre were Buddy Holly, Jerry Lee Lewis and
Gene Vincent. Perkins wrote and recorded his chart-topping hit "Blue Suede
Shoes" in 1955 and the song was then covered by Elvis Presley and enjoyed
even more success.
Elvis Presley is thought to be the "King of Rock 'n'
Roll" by many. He get famous after beginning a professional relationship
with Sam Phillips - a studio owner who wanted to market "black music"
to white audiences. Elvis was more successful in this effort than any other artist of the time and
he characterized the Rock 'n' Roll style
and teenage rebellion of the 1950's. One incident that best exemplifies these
qualities in Elvis was his controversial performance with hip gyrations on the
Milton Berle Show in 1956, a performance that shocked the conservative
sensibilities of adults during the time but drew in the youth as his
performance on the Ed Sullivan Show only a few weeks later drew in nearly
eighty-percent of the television viewing audience.
While Elvis is largely
responsible for the popularization of rock music, it is important to remember
the original African-American artists who created the genre and were pushed out
of the rock scene like Little Richard, Chuck Berry, The Coasters, Chubby
Checker, Fats Domino and the many others who were not afforded the opportunity
to even record their music.
Traditional
Pop and Standards
Traditional
Pop music of the 1950's refers to the music that was popular before the rock
and roll music came into the the principal music in the middle of the fifties,
it also refers to music that was popular at the same time as the beginning of
rock and roll music during the rest of the decade but remained largely free of
rock influences. Some examples of traditional pop artists who were popular
during the decade were Perry Como, Tony Bennett, Nat King Cole, Patti Page and
Dean Martin. Often the most popular musicians in this genre translated well in television
as they would sometimes have their own television variety shows or music
specials.



They sang a lot of original material, but a lot of their most popular
hits were American standards, or songs that had been released many years
previously but were already well known by the public. Most songs in this genre
could be classified as being simple and melodic with catchy lyrics. Many of the
traditional pop artists of the 1950's were interpreters of pop standards who
would take the old well-known songs and put their own individual style into it.
Some of the most popular interpreters were Ella Fitzgerald, Frank Sinatra,
Peggy Lee, and Doris Day. This genre was greatly influenced by jazz, swing and
big band.
Country
Johnny Cash
and Hank Williams defined the Country and Western style of music during this
decade. Cash’s music was more of a country sound with a rockabilly influence
and his songs often centered around a certain theme, including life and relationships. He also strived to integrate humor into his lyrics to make
his collection well-rounded and respected by a variety of audiences. Because of
his compassion for his fellow human being, he performed many times for inmates
in several prisons across the country and his most famous performances resulted
from Folsom Prison. In similar musical style, Hank Williams was a prominent
singer and songwriter of the decade.
He continues to be a country music icon
and helped to popularize the Honky Tonk style of country music, characterized
by the piano and ragtime sound combined with country and rockabilly harmonies.
His most popular songs, including “Hey Good Lookin’” and “Your Cheatin’ Heart,”
have come to define the country style of the 1950s. He also helped to create
the Outlaw Country genre – a style which included songs about spirituality and
rowdy times. Other country artists also began their careers in the 1950s but
did not reach the height of their success until the next decade, like Patsy
Cline and Conway Twitty. Country music also served as catch-all genre where
many artists, like Connie Francis, Frankie Laine, and Pat Boone, might record
one or two singles with a country influence but would remain largely producers
of traditional pop music during the decade.
Rhythm and Blues
Rhythm and
Blues emerged from the jazz music of the 1940's and it came to be a term for
blues music that was a little more upbeat. Rhythm and Blues of the fifties
combined jazz, doo-wop, blues, and gospel to create a unique sound during the
decade. Many R&B artists of the decade were originators of
rock music and a lot of the songs that came out of the fifties in the rhythm
and blues genre are one in the same with the rock 'n' roll genre. A lot of the
most popular songs of rock music enjoyed time on the R&B charts during the
decade. Many African-American musicians who pioneered rock music were somewhat
pushed into the category of R&B artists by music producers who were trying
to make way for white rock 'n' rollers to capitalize on the new genre. This
genre is largely populated by African-American musicians with many white
artists and musical groups covering the original material and turning R&B
songs into traditional pop songs with a more mainstream sound (like the
Chordettes and the Crew-Cuts). Some of the most notable R&B artists of the
decade include Frankie Lymon and the Teenagers, Sam Cooke, The Drifters, The
Platters, Ray Charles and Lloyd Price.


We can see that the music reflects and shows a lot of the society and the generation. It is a way to express ourselves, to express what we feel and what we think.
Here we have some lyrics of the most poplar songs of that moment:
Elvis Presley – Blue
Suede Shoes Lyrics
Well, it's one for
the money
Two for the show
Three to get ready
Now go, cat, go
But don't you
Step on my blue suede shoes
You can do anything
But stay off of my blue suede shoes
Well, you can knock me down
Step in my face
Slander my name
All over the place
Do anything that you want to do
But uh-uh, honey
Lay off of my shoes
Don't you step on my blue suede shoes
Well, you can do anything
But stay off of my blue suede shoes
Let's go, cat!
Ah, walk the dog
You can burn my house
Steal my car
Drink my liquor
From an old fruit jar
Do anything that you want to do
But uh-uh, honey
Lay off of my shoes
And don't you
Step on my blue suede shoes
Well, you can do anything
But stay off of my blue suede shoes
Ah, get
Yeah
Well, it's one for the money
Two for the show
Three to get ready
Now go, cat, go!
But don't you
Step on my blue suede shoes
Well, you can do anything
But stay off of my blue suede shoes
Well, it's
Blue, blue
Blue suede shoes
Blue, blue
Blue suede shoes, yeah!
Blue, blue
Blue, suede shoes, baby
Blue, blue
Blue suede shoes
Well, you can do anything
But stay off of my blue suede shoes!
Little Richard -
Tutti Frutti Lyrics
Wop bop a loo bop a lop bom bom!
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Wop bop a loo bop a lop ba ba!
I got a gal, named Sue, she knows just what to do
I got a gal, named Sue, she knows just what to do
She rock to the East, she rock to the West
She is the gal that I love best
Tutti frutti, oh rutti
Tutti frutti, oh rutti, ooh
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Wop bop a loo bop a lop bom bom!
I got a gal, named Daisy, she almost drives me crazy
Got a gal, named Daisy, she almost drives me crazy
She knows how to love me, yes indeed
Boy you don't know what she do to me
Tutti frutti, oh rutti
Tutti frutti, oh rutti, ooh
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Wop bop a loo bop!
Oh tutti frutti, oh rutti
Tutti frutti, oh rutti, ooh
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Wop bop a loo bop a lop bom bom!
I got a gal, named Daisy, she almost drive me crazy
Got a gal, named Daisy, she almost drive me crazy
She knows how to love me, yes indeed,
Boy you don't know what she do to me
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Wop bop a loo bop a lop bam boom!
How much did an average person earn
per month? What
was the income for people like Holden's parents?
The 1950s were a time of great prosperity and economic
growth in the United States. Today, looking at the decade objectively, we
realize it wasn’t quite the post-war utopia portrayed in the media of the day
or the nostalgic recreations since. Nonetheless, many look back fondly on what
they view as a simpler time. One thing a lot of folks envy from that time is
the cost of living.
The average family
income: $3,300
The average car
cost:
$1,510
The median home
price:
$7,354
If you were to live like someone in the 1950s, you could
live fairly comfortably. Indeed, by mid-twentieth century standards you’d be
well-off, even with a modest income.
Here's what the cost of living was in 1950:
Living:
New House $8,450.00
Average Income $3,216.00 per year
New Car $1,511.00
Average Rent $75.00
Movie Ticket $0.65 each
Gasoline $0.18 per gallon
U.S. Postage Stamp $0.03 each
Food:
Granulated Sugar $0.85 for 10 pounds
Vitamin D Milk $0.84 per gallon
Ground Coffee $0.70 per pound
Bacon $0.50 per pound
Eggs $0.24 per dozen
Fresh Ground Hamburger $0.49 per pound
Fresh Baked Bread $0.17 per loaf
Interesting facts --> How americans spend their money
Sources:
http://nostalgiacafe.proboards.com/thread/264/1950s-everyday-life
http://es.slideshare.net/guest3bd2a12/back-to-the-1950s-presentation
https://socialdance.stanford.edu/Syllabi/fifties.htm
https://www.lsrhs.net/departments/history/ShenM/Site/20th_classwork,_handouts_files/1950s%20Slang.htm
http://www.rockin-teen-parties.com/1950sslang.html
http://www.retrowaste.com/1950s/fashion-in-the-1950s/1950s-fashion-for-teens-styles-trends-pictures/
http://www.retrowaste.com/1950s/fashion-in-the-1950s/
http://www.retrowaste.com/1950s/fashion-in-the-1950s/1950s-teddy-boys-style-trends-history-pictures/
http://fiftiesweb.com/fashion/1950s-teen-clothes/
https://crandall1950syoungculture.wordpress.com/fashion/
http://www.fashion-era.com/1950s/1950s_4_teenagers_teddy_boys.htm
http://www.thepeoplehistory.com/50smusic.html
http://yesiamcheap.com/cost-of-living-1950-compared-to-2011/
http://www.mybudget360.com/cost-of-living-2014-inflation-1950-vs-2014-data-housing-cars-college/
After World War II ended our society compelled us to
reconsider our values and attitudes. As a result, the lifestyle that we used to
have before the war took a dramatic turn when the war was over.
A lot of changes came with this twist in the story like
political changes or the family values, but now let´s just focus on one
question: What was it like being a teenager in 1950?
Being a teenager in the 50`s
Before the War teenage boys used to go to the military or they had to look for a job to support their families. Teenage girls used to think about taking care of the household and the marriage.
But this changed in the 50´s. Teenagers became
more rebellious and independent.

The war had just ended but the world didn´t felt safe, so they had to create
a safe, secure, calm and orderly community in which a lot of post-war
Americans could start a family. So in that moment the people had a lot to do,
teenagers were´nt the most important thing, so in one way teens were
marginalized by the adults, who didn't want to be bothered with the very
different values of teenagers. Those felt left out, ignored, disenfranchised.
What did they do?
They started to heir music, but it was music that talked
about them, like songs about high school, about relationships, about cars and
parties. Those were sang by other teens.
They wanted some recognition of their generation, and when
it came they took advantage of it. They started to build their new generation,
they created their own image and style.
So we have seen that these generation had a lot of special
characteristics. Let´s see more about them.
50´s Slang
We can think that maybe Holdan is so desperate to talk with somebody that he want to attract attention and he create his own words, his own language, but no. Holdan lived in the 50´s and at that time they had a different slang. Maybe it is hard to us to try to understand why did people used to talk with words like "phony", it sounds like "phone"; but every era, every generation have their own slang, for example, today we use words (If we can call them words) like "yolo" or "lol". If a teenager from the 50´s hear that he would probably think that we are speaking another language. But these are not the 50´s, this is the future and we were tired of writing an extra letter in the word "babe" when we can just write "bae", it is more useful :) :) :)
Slang is a essential for all teens, no matter where they live or what era we are talking about. Words come in and out all the time. But one of the main characteristics of the 50s slang was that they added "ville" to many of their words, for example coolsville or deadsville. These is an example of what people can do with the words, and what teenagers did in the 50s with the english.
Here we have a list of some slangs that were used in the 50s by teens:
- Going Ape - to explode or be really mad
- Are you writing a book? - You're asking too many questions
- Bad news - Depressing person
- Blast - A good time
- Boss - Great
- Square - A regular, normal person
- Nerd - Bill Gates without the money
- No sweat - No problem
- Passion Pit - Drive-in movie theater
- What's buzzin, cuzzin - What's new?
- Wail - Go fast
- Tank - A large sedan - usually driven by parents or older people
- Threads - Clothes
- Unreal - unbelievable
- Wazoo - Your rear end
- Cookin' - Doing it well
- Spaz - Someone who is uncoordinated
- Royal shaft - Badly or unfairly treated
- Righto - Okay
- Tear ass - Drive very fast
- Radioactive - Very popular
- Pound - Beat up
- Cloud 9 - Really happy
- Cat - A hip person
- Bread - Money
- Cool it - Relax, settle down
- Bash - Great party
- Bobbed - Shortened (as in haircut)
- Greaser - A guy with tons of grease in his hair. Later this was used to describe an entire group of people (think Fonzie)
- Cranked - Excited
- Crazy - "Like crazy,man". Implies an especially good thing
- Dig - To understand and approve
- Fat City - Happy
- Flick - A movie
- Hang - As in "hang out" which means not doing much
- Heat - The Police
- Hip - Someone who is cool
- Later, gator - Goodbye
- Like crazy - Really good
- Make out - A kissing session
50´s fashion
Teenagers were
ignored by department stores and were expected to dress like their parents. They
had the money to buy it because since teens no longer had to work in order to
help their parents; they began to take part-time jobs or they would receive a
monthly allowance in order to spend on non-essential things such as clothes,
but the trends in that moment were ugly for teens, they wanted something
different, something revolutionary.
Teens were
strongly influenced by film, television, magazines and persuaded to use their
money, and the society convinced them that the clothes were something that they
needed.
These
single young people with cash from paid work soon had their own fashions, own
music, own cafes, own milk bars and by the end of the decade even their own
transport in the form of fuelled scooters. Teenagers suddenly dominated style
in clothes, haircuts and even travel abroad. A generation gap began to emerge.
The
important thing is that people were beginning to feel a little more freedom
when it came to their fashion choices. No longer did people feel like they had
to conform to a certain look for certain situations.
American
influence on European teenagers was huge. Rock and Roll idols including Elvis
Presley, Bill Hayley, Jerry Lee Lewis and film stars James Dean and Marlon
Brando set fashions almost unwittingly. The main looks for teenagers were
greasers and preppies.
Pat Boone
and Frankie Avalon inspired the conservative preppy look for boys, with sweater
vests and suede shoes (also made famous by Elvis Presley). Lucille Ball, Annette
Funicello and Connie Francis inspired high-waisted, full skirts and backwards
cardigans, while Marilyn Monroe pushed cultural boundaries with her sexy
versions of conservative classics.
Greasers
followed the standard black leather and denim jeans look
set by Marlon Brando in "The Wild One" in 1953 and later emulated in
the 1978 film called "Grease". They raced about town on motorbikes
and were consider scandalous.
Typical
Teen Girl Attire
Teen girls
in the 1950s often wore petticoats under gathered skirts with cardigan
sweaters. It was common to wear cardigans backwards so the buttons were not
visible from the front. They wore bobby socks and saddle shoes or, for the more
grownup teens, stockings and modest low heels. For casual situations, teen
girls wore pedal pushers or dungarees rolled up to mid-calf with ballet flats,
according to Head Over Heels History. Teen girls wore full dirndl or circular
skirts with large appliqués on their clothing. Neat pleated skirts were also
popular. The pleated skirts were made from a then new fabric called
Terylene (polyester) which helped maintain razor sharp sunray pleating.
The skirts
were supported by bouffant paper nylon or net petticoats. On top, teens wore
scoop neck blouses, back to front cardigans, tight polo necks or three quarter
sleeve white fitting shirts often with a scarf knotted cowboy fashion at the
side neck. These teen clothing fashions that originated in America, filtered to
Britain in watered down fashion.


Most teen
boys in the 1950s dressed in preppy styles with cardigan sweaters, button-down
shirts and thin ties. The pullover sweater vest was a popular item. The rebels,
inspired by their film idols, wore dungarees, T-shirts and black leather
jackets. The “Teddy Boy” trend (Represented by the band the Stray Cats)
involved single-breasted jackets worn long with velvet trim. Teddy Boys often
wore their hair greased and swept back with long side burns.
Teddy Boys “appeared”
in London’s East End in 1952. Just four years later the look had crept into
every passage and street corner.
First, a
Teddy Boy starts with carefully kept hair (called a “DA”) and long sideburns.
He kept a comb on him at all times in case anything fell out of place.
Next, he
dons a white poplin shirt (with Boston collar), and a shoestring tie. In
between the long-sleeved single-breasted drape jacket and shirt was a
flamboyant satin or Lurex waistcoat.
His pants
were typically narrow cut, they were called “drainpipes”. The Teddy Boy
finished off his outfit with a pair of suede shoes with thick soles (called
“brothel creepers”) that covered brightly colored socks.
https://www.youtube.com/watch?v=QgZ650X6Ln8
Music
The 1950's
were a time of changes and the music of the decade both reflected the cultural
changes that were happening while still holding on to the social norms of the past.
After the disturbing effects of World War II, the US was about to embark on a
musical journey that would change the face of music for decades to come. Racial
tensions were being strained with the beginning of the civil rights movement
and music reflected many of those tensions.
We can see that the music reflects and shows a lot of the society and the generation. It is a way to express ourselves, to express what we feel and what we think.
Here we have some lyrics of the most poplar songs of that moment:
Well, it's one for the money
Little Richard -
Tutti Frutti Lyrics
Sources:
http://nostalgiacafe.proboards.com/thread/264/1950s-everyday-life
http://es.slideshare.net/guest3bd2a12/back-to-the-1950s-presentation
Music
Today we
hear our music on our phones, we have Spotify. In the 50´s it was a little different,
firstly because they didn´t have all the technology that we have today, and
also because of the type of music. Today we hear pop or “reggeton”, but in that
moment the music meant a lot of things, the music showed how was the society
and all the “problems” that they had.
Rhythm & Blues (R&B) and
Rock 'n' Roll popularized "black" music and many African-American
musicians rose to prominence and enjoyed success, but while some were able to
collect the benefits of their work, many others were forgotten or denied access
to audiences through segregation. A lot of people believe that during the 50s many
of the white artists stole music from African-Americans and capitalized on it
for their own benefit in a way that the original artists could not. A perfect
example of this happening is when Pat Boone was made to cover Little Richard's
song "Tutti Frutti" and Boone's version topped higher on the charts,
while considered by many to be the inferior version of the song.
Others believe that the popularization of R&B and Rock 'n' Roll only helped to bridge the gap between blacks and whites and further the civil rights movement. While those genres paved the way for future music, traditional pop and country music clung to the past with old standards remaining popular and a multitude of covers topping the charts. Either way, this decade was a time of innovation that helped to influence everything that we listen to on the radio today.
Others believe that the popularization of R&B and Rock 'n' Roll only helped to bridge the gap between blacks and whites and further the civil rights movement. While those genres paved the way for future music, traditional pop and country music clung to the past with old standards remaining popular and a multitude of covers topping the charts. Either way, this decade was a time of innovation that helped to influence everything that we listen to on the radio today.
Rock 'N' Roll
The 1950's saw the emergence and rise of Rock 'n' Roll and
Rockabilly. Carl Perkins was one of the pioneers in the creation of rock music
and his style is often referred to as "Rockabilly" because it sounds
like a combination of country and R&B music with rock influences. Some artists
that were popular in the rockabilly genre were Buddy Holly, Jerry Lee Lewis and
Gene Vincent. Perkins wrote and recorded his chart-topping hit "Blue Suede
Shoes" in 1955 and the song was then covered by Elvis Presley and enjoyed
even more success.
Elvis Presley is thought to be the "King of Rock 'n' Roll" by many. He get famous after beginning a professional relationship with Sam Phillips - a studio owner who wanted to market "black music" to white audiences. Elvis was more successful in this effort than any other artist of the time and he characterized the Rock 'n' Roll style and teenage rebellion of the 1950's. One incident that best exemplifies these qualities in Elvis was his controversial performance with hip gyrations on the Milton Berle Show in 1956, a performance that shocked the conservative sensibilities of adults during the time but drew in the youth as his performance on the Ed Sullivan Show only a few weeks later drew in nearly eighty-percent of the television viewing audience.
While Elvis is largely responsible for the popularization of rock music, it is important to remember the original African-American artists who created the genre and were pushed out of the rock scene like Little Richard, Chuck Berry, The Coasters, Chubby Checker, Fats Domino and the many others who were not afforded the opportunity to even record their music.
Elvis Presley is thought to be the "King of Rock 'n' Roll" by many. He get famous after beginning a professional relationship with Sam Phillips - a studio owner who wanted to market "black music" to white audiences. Elvis was more successful in this effort than any other artist of the time and he characterized the Rock 'n' Roll style and teenage rebellion of the 1950's. One incident that best exemplifies these qualities in Elvis was his controversial performance with hip gyrations on the Milton Berle Show in 1956, a performance that shocked the conservative sensibilities of adults during the time but drew in the youth as his performance on the Ed Sullivan Show only a few weeks later drew in nearly eighty-percent of the television viewing audience.
While Elvis is largely responsible for the popularization of rock music, it is important to remember the original African-American artists who created the genre and were pushed out of the rock scene like Little Richard, Chuck Berry, The Coasters, Chubby Checker, Fats Domino and the many others who were not afforded the opportunity to even record their music.
Traditional
Pop and Standards
Traditional
Pop music of the 1950's refers to the music that was popular before the rock
and roll music came into the the principal music in the middle of the fifties,
it also refers to music that was popular at the same time as the beginning of
rock and roll music during the rest of the decade but remained largely free of
rock influences. Some examples of traditional pop artists who were popular
during the decade were Perry Como, Tony Bennett, Nat King Cole, Patti Page and
Dean Martin. Often the most popular musicians in this genre translated well in television
as they would sometimes have their own television variety shows or music
specials.



They sang a lot of original material, but a lot of their most popular hits were American standards, or songs that had been released many years previously but were already well known by the public. Most songs in this genre could be classified as being simple and melodic with catchy lyrics. Many of the traditional pop artists of the 1950's were interpreters of pop standards who would take the old well-known songs and put their own individual style into it. Some of the most popular interpreters were Ella Fitzgerald, Frank Sinatra, Peggy Lee, and Doris Day. This genre was greatly influenced by jazz, swing and big band.



They sang a lot of original material, but a lot of their most popular hits were American standards, or songs that had been released many years previously but were already well known by the public. Most songs in this genre could be classified as being simple and melodic with catchy lyrics. Many of the traditional pop artists of the 1950's were interpreters of pop standards who would take the old well-known songs and put their own individual style into it. Some of the most popular interpreters were Ella Fitzgerald, Frank Sinatra, Peggy Lee, and Doris Day. This genre was greatly influenced by jazz, swing and big band.
Country
Johnny Cash
and Hank Williams defined the Country and Western style of music during this
decade. Cash’s music was more of a country sound with a rockabilly influence
and his songs often centered around a certain theme, including life and relationships. He also strived to integrate humor into his lyrics to make
his collection well-rounded and respected by a variety of audiences. Because of
his compassion for his fellow human being, he performed many times for inmates
in several prisons across the country and his most famous performances resulted
from Folsom Prison. In similar musical style, Hank Williams was a prominent
singer and songwriter of the decade.
He continues to be a country music icon and helped to popularize the Honky Tonk style of country music, characterized by the piano and ragtime sound combined with country and rockabilly harmonies. His most popular songs, including “Hey Good Lookin’” and “Your Cheatin’ Heart,” have come to define the country style of the 1950s. He also helped to create the Outlaw Country genre – a style which included songs about spirituality and rowdy times. Other country artists also began their careers in the 1950s but did not reach the height of their success until the next decade, like Patsy Cline and Conway Twitty. Country music also served as catch-all genre where many artists, like Connie Francis, Frankie Laine, and Pat Boone, might record one or two singles with a country influence but would remain largely producers of traditional pop music during the decade.
He continues to be a country music icon and helped to popularize the Honky Tonk style of country music, characterized by the piano and ragtime sound combined with country and rockabilly harmonies. His most popular songs, including “Hey Good Lookin’” and “Your Cheatin’ Heart,” have come to define the country style of the 1950s. He also helped to create the Outlaw Country genre – a style which included songs about spirituality and rowdy times. Other country artists also began their careers in the 1950s but did not reach the height of their success until the next decade, like Patsy Cline and Conway Twitty. Country music also served as catch-all genre where many artists, like Connie Francis, Frankie Laine, and Pat Boone, might record one or two singles with a country influence but would remain largely producers of traditional pop music during the decade.
Rhythm and Blues
Rhythm and
Blues emerged from the jazz music of the 1940's and it came to be a term for
blues music that was a little more upbeat. Rhythm and Blues of the fifties
combined jazz, doo-wop, blues, and gospel to create a unique sound during the
decade. Many R&B artists of the decade were originators of
rock music and a lot of the songs that came out of the fifties in the rhythm
and blues genre are one in the same with the rock 'n' roll genre. A lot of the
most popular songs of rock music enjoyed time on the R&B charts during the
decade. Many African-American musicians who pioneered rock music were somewhat
pushed into the category of R&B artists by music producers who were trying
to make way for white rock 'n' rollers to capitalize on the new genre. This
genre is largely populated by African-American musicians with many white
artists and musical groups covering the original material and turning R&B
songs into traditional pop songs with a more mainstream sound (like the
Chordettes and the Crew-Cuts). Some of the most notable R&B artists of the
decade include Frankie Lymon and the Teenagers, Sam Cooke, The Drifters, The
Platters, Ray Charles and Lloyd Price.




We can see that the music reflects and shows a lot of the society and the generation. It is a way to express ourselves, to express what we feel and what we think.
Here we have some lyrics of the most poplar songs of that moment:
Elvis Presley – Blue
Suede Shoes Lyrics
Well, it's one for the money
Two for the show
Three to get ready
Now go, cat, go
But don't you
Step on my blue suede shoes
You can do anything
But stay off of my blue suede shoes
Well, you can knock me down
Step in my face
Slander my name
All over the place
Do anything that you want to do
But uh-uh, honey
Lay off of my shoes
Don't you step on my blue suede shoes
Well, you can do anything
But stay off of my blue suede shoes
Let's go, cat!
Ah, walk the dog
You can burn my house
Steal my car
Drink my liquor
From an old fruit jar
Do anything that you want to do
But uh-uh, honey
Lay off of my shoes
And don't you
Step on my blue suede shoes
Well, you can do anything
But stay off of my blue suede shoes
Ah, get
Yeah
Well, it's one for the money
Two for the show
Three to get ready
Now go, cat, go!
But don't you
Step on my blue suede shoes
Well, you can do anything
But stay off of my blue suede shoes
Well, it's
Blue, blue
Blue suede shoes
Blue, blue
Blue suede shoes, yeah!
Blue, blue
Blue, suede shoes, baby
Blue, blue
Blue suede shoes
Well, you can do anything
But stay off of my blue suede shoes!
Three to get ready
Now go, cat, go
But don't you
Step on my blue suede shoes
You can do anything
But stay off of my blue suede shoes
Well, you can knock me down
Step in my face
Slander my name
All over the place
Do anything that you want to do
But uh-uh, honey
Lay off of my shoes
Don't you step on my blue suede shoes
Well, you can do anything
But stay off of my blue suede shoes
Let's go, cat!
Ah, walk the dog
You can burn my house
Steal my car
Drink my liquor
From an old fruit jar
Do anything that you want to do
But uh-uh, honey
Lay off of my shoes
And don't you
Step on my blue suede shoes
Well, you can do anything
But stay off of my blue suede shoes
Ah, get
Yeah
Well, it's one for the money
Two for the show
Three to get ready
Now go, cat, go!
But don't you
Step on my blue suede shoes
Well, you can do anything
But stay off of my blue suede shoes
Well, it's
Blue, blue
Blue suede shoes
Blue, blue
Blue suede shoes, yeah!
Blue, blue
Blue, suede shoes, baby
Blue, blue
Blue suede shoes
Well, you can do anything
But stay off of my blue suede shoes!
Wop bop a loo bop a lop bom bom!
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Wop bop a loo bop a lop ba ba!
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Wop bop a loo bop a lop ba ba!
I got a gal, named Sue, she knows just what to do
I got a gal, named Sue, she knows just what to do
She rock to the East, she rock to the West
She is the gal that I love best
I got a gal, named Sue, she knows just what to do
She rock to the East, she rock to the West
She is the gal that I love best
Tutti frutti, oh rutti
Tutti frutti, oh rutti, ooh
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Wop bop a loo bop a lop bom bom!
Tutti frutti, oh rutti, ooh
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Wop bop a loo bop a lop bom bom!
I got a gal, named Daisy, she almost drives me crazy
Got a gal, named Daisy, she almost drives me crazy
She knows how to love me, yes indeed
Boy you don't know what she do to me
Got a gal, named Daisy, she almost drives me crazy
She knows how to love me, yes indeed
Boy you don't know what she do to me
Tutti frutti, oh rutti
Tutti frutti, oh rutti, ooh
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Wop bop a loo bop!
Tutti frutti, oh rutti, ooh
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Wop bop a loo bop!
Oh tutti frutti, oh rutti
Tutti frutti, oh rutti, ooh
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Wop bop a loo bop a lop bom bom!
Tutti frutti, oh rutti, ooh
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Wop bop a loo bop a lop bom bom!
I got a gal, named Daisy, she almost drive me crazy
Got a gal, named Daisy, she almost drive me crazy
She knows how to love me, yes indeed,
Boy you don't know what she do to me
Got a gal, named Daisy, she almost drive me crazy
She knows how to love me, yes indeed,
Boy you don't know what she do to me
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Wop bop a loo bop a lop bam boom!
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Tutti frutti, oh rutti
Wop bop a loo bop a lop bam boom!
How much did an average person earn
per month? What
was the income for people like Holden's parents?
The 1950s were a time of great prosperity and economic
growth in the United States. Today, looking at the decade objectively, we
realize it wasn’t quite the post-war utopia portrayed in the media of the day
or the nostalgic recreations since. Nonetheless, many look back fondly on what
they view as a simpler time. One thing a lot of folks envy from that time is
the cost of living.
The average family
income: $3,300
The average car
cost:
$1,510
The median home
price:
$7,354
If you were to live like someone in the 1950s, you could
live fairly comfortably. Indeed, by mid-twentieth century standards you’d be
well-off, even with a modest income.
Here's what the cost of living was in 1950:
Living:
New House $8,450.00
Average Income $3,216.00 per year
New Car $1,511.00
Average Rent $75.00
Movie Ticket $0.65 each
Gasoline $0.18 per gallon
U.S. Postage Stamp $0.03 each
Food:
Granulated Sugar $0.85 for 10 pounds
Vitamin D Milk $0.84 per gallon
Ground Coffee $0.70 per pound
Bacon $0.50 per pound
Eggs $0.24 per dozen
Fresh Ground Hamburger $0.49 per pound
Fresh Baked Bread $0.17 per loaf
Living:
New House $8,450.00
Average Income $3,216.00 per year
Average Rent $75.00
Movie Ticket $0.65 each
Gasoline $0.18 per gallon
U.S. Postage Stamp $0.03 each
Food:
Granulated Sugar $0.85 for 10 pounds
Vitamin D Milk $0.84 per gallon
Ground Coffee $0.70 per pound
Bacon $0.50 per pound
Eggs $0.24 per dozen
Fresh Ground Hamburger $0.49 per pound
Fresh Baked Bread $0.17 per loaf
Interesting facts --> How americans spend their money
Sources:
http://nostalgiacafe.proboards.com/thread/264/1950s-everyday-life
http://es.slideshare.net/guest3bd2a12/back-to-the-1950s-presentation
https://socialdance.stanford.edu/Syllabi/fifties.htm
https://www.lsrhs.net/departments/history/ShenM/Site/20th_classwork,_handouts_files/1950s%20Slang.htm
http://www.rockin-teen-parties.com/1950sslang.html
http://www.retrowaste.com/1950s/fashion-in-the-1950s/1950s-fashion-for-teens-styles-trends-pictures/
http://www.retrowaste.com/1950s/fashion-in-the-1950s/
http://www.retrowaste.com/1950s/fashion-in-the-1950s/1950s-teddy-boys-style-trends-history-pictures/
http://fiftiesweb.com/fashion/1950s-teen-clothes/
https://crandall1950syoungculture.wordpress.com/fashion/
http://www.fashion-era.com/1950s/1950s_4_teenagers_teddy_boys.htm
http://www.thepeoplehistory.com/50smusic.html
http://yesiamcheap.com/cost-of-living-1950-compared-to-2011/
http://www.mybudget360.com/cost-of-living-2014-inflation-1950-vs-2014-data-housing-cars-college/
http://www.retrowaste.com/1950s/fashion-in-the-1950s/
http://www.retrowaste.com/1950s/fashion-in-the-1950s/1950s-teddy-boys-style-trends-history-pictures/
http://fiftiesweb.com/fashion/1950s-teen-clothes/
https://crandall1950syoungculture.wordpress.com/fashion/
http://www.fashion-era.com/1950s/1950s_4_teenagers_teddy_boys.htm
http://www.thepeoplehistory.com/50smusic.html
http://yesiamcheap.com/cost-of-living-1950-compared-to-2011/
http://www.mybudget360.com/cost-of-living-2014-inflation-1950-vs-2014-data-housing-cars-college/




















